This website uses cookies primarily for visitor analytics. Certain pages will ask you to fill in contact details to receive additional information. On these pages you have the option of having the site log your details for future visits. Indicating you want the site to remember your details will place a cookie on your device. To view our full cookie policy, please click here. You can also view it at any time by going to our Contact Us page.

Intelligent linear rig tightens up film production

11 February 2011

Production of stop/motion animated films at Ko Lik’s Edinburgh film studio is proceeding more smoothly, in part thanks to some rather clever design work based on a linear actuation system

Funded by BBC Scotland, the ‘Glendogie Bogey’ stop/motion animated film was the sequel to the BAFTA-nominated ‘Haunted Hogmanay’ and the brain child of Ko Lik Films, an Edinburgh based company specialising in stop frame animation. This painstaking process involves clay models being moved, frame by frame, to create a sequence. It is particularly time consuming work as typically 25 camera shots are required to complete a sequence that is just one second long.

Historically, Ko Lik mounted the camera on a hand wound helical screw that allowed it to be moved along the scene set.  However, this was neither accurate nor flexible, and resulted in increased production hours and compromised cost-efficiency. The company decided to seek the help of engineering designer and model maker, David Campbell and his colleague Michael Gormley, who takes up the story:

 “We explored proprietary motion systems for Ko Lik but they were too costly and over-specified for its needs, so we set about designing a system ourselves. And although what we came up with was a fairly straight forward two-axis system carrying a small load, there were several factors that made it a nifty bit of kit.”

The system devised by the Campbell/Gormley team comprises two HepcoMotion PDU profile driven units with a SmartDrive stepper motor and controller. Designed to straddle the set, it was a fairly long-winded development, as Mr Gormley explains: “We had to translate exacting production needs into design engineering, and both HepcoMotion and its motion control partner SmartDrive contributed a great deal in this regard.”

The rigidity of the profile driven units was deemed important. As the system is cantilevered, the vertical axis had to provide solid support for the motorised X-axis on which the camera is mounted. The designers also had to contend with an element of bounce within the system, but the rigidity of the beams and the use of the motor to counterbalance the camera and camera head at extremes of travel ensures that this effect does not compromise the camera’s positioning accuracy.

Key to the success of the rig, however, is its controllability. The camera is able to move a set distance to within a tolerance of 0.1mm and, most importantly, provide a datum, which is critical from a production cost standpoint.  When a sequence has been shot it is naturally reviewed for quality. If part of it needs to be re-taken, it is now easy for the production team to re-shoot, for example from frame 10 – 20 in a 100-frame sequence. This is because the exact camera position is now known.

The SmartDrive controller also provides other highly valuable automation features. Knowing what distances to move the camera to achieve the required visual effect is a complex task. Historically it needed a combination of mathematical calculation and intelligent guesswork on the part of the production team. With the new system, these algorithms are fed into the controller so it has executable routines that the camera operators can simply run – and it is completely transparent to them. Michael Gormely concludes:

“In the greater scheme of things, this was a fairly small job but both HepcoMotion and SmartDrive, were only too pleased to give us the benefit of their knowledge.”
 


Contact Details and Archive...

Print this page | E-mail this page